Tonnage of the world Essay Example for Free

Tonnage of the world Essay A View From The Bridge is about a family, who live in Red Hook, the gullet of New York, which swallows the tonnage of the world. This family of three, comprising of an Uncle, Aunty and niece, are ordinary working class citizens who try to deal with some common, and uncommon problems in their lives. These problems include growing up and learning to let go, and conflicts with other relatives. From the first few lines of dialogue, I thought that Eddie and Catherine had a boyfriend and girlfriend relationship because when Catherine says Hi, Eddie! the stage directions tell us that Eddie is pleased and therefore shy about it To me, it seems that one would not be shy when ones niece said Hi, and also Eddie was pleased about it which led me to believe that the nature of their relationship was of that sort. Catherine buys a new skirt, which Eddie thinks is too short. Catherine tells Eddie that its the style now and that it isnt too short when she stands up. Eddie retaliates by saying that shes gotta sit down sometimes. Catherine carries on by saying if you see me walkin down the street to which Eddie quickly reacts by saying that shes walkin wavy. Catherine is adamant that shes not walking wavy, but then Eddie says that he dont like the looks theyre givin her in the candy store. This conflict is caused at the beginning of the play by Catherine growing up, and attracting the attention of male admirers, something that Eddie doesnt seem to like. Beatrice thinks that Eddie treats Catherine like a baby, as when she has the opportunity to become a stenographer, Eddie comes out with a feeble excuse to persuade her to not to take the job; I know that neighbourhood, B. I dont like it. Beatrice then says to Eddie that if nothin happened to her in this neighbourhood it aint gonna happen no place else, and makes a personal attack on him by saying shes seventeen years old, you gonna keep her in the house all her life? Beatrice doesnt understand Eddie as she thinks that he wants Catherine to have a good job, earning good money, but then he treats her like a child, so I think that Beatrice views Eddies relationship with Catherine as a father-daughter relationship; Eddie acting overprotective, and trying to make Catherines decisions for her. Rodolfo and Marco arrive in America, which has a dramatic impact on Eddies and Catherines relationship. As soon as Rodolfo arrives, we see that Catherine is attracted to him. She is enthralled by his singing and wondrously in love with his hair. When Catherine and Rodolfo go to the Brooklyn Paramount, Eddie tries to have a private conversation with Catherine, hinting at Rodolfo to go away. Catherine sticks up for Rodolfo saying, why dont you talk to him Eddie? He blesses you, and you dont talk to him hardly. This gives Eddie the chance to be ironic by saying, I bless you and you dont talk to me. Eddie feels that Catherine is running away from him, hence making their relationship together drift further and further apart. There is strong evidence that Eddie doesnt like Catherine going out with Rodolfo when they go to see a film at the Brooklyn Paramount. Eddie tells Beatrice that Rodolfo gives him the heebie-jeebies, and that he sings on the ships. Beatrice asks Eddie why he doesnt want Catherine Rodolfo to get married, as hes a nice fella, hard workin, and that hes good lookin. Also, Eddie seems to have a problem with Rodolfos wacky hair and that he just hopes thats his regular hair. Eddie is trying to insinuate that Rodolfo is gay or homosexual. Beatrice thinks Eddies crazy or sumpm, and tries to ignore his ridiculous remarks. Eddie also is very paranoid as he waits for Rodolfo and Catherine outside the house, treating them as little children; Its after eight. In the boxing scene, Eddie shows Rodolfo couple a passes, whilst everyone else watches them. Rodolfo dont know how to, but Eddie insists that he does. Beatrice asks Eddie whats he got to learn that for? and Eddies response is that somebodys liable to step on his foot or sumpm. Beatrice then tells Rodolfo to go ahead, as Eddies a good boxer and that he could learn from him. Meanwhile, in the kitchen, Catherine is making coffee, unaware what is going on in the other room. When Catherine does come in the room, she asks Beatrice what are they doin? with alarm. Beatrice replies by telling her that hes teachin him, and that hes very good! in a calm and relaxed way, as she only senses the comradeship, until Eddie mildly staggers Rodolfo, causing Marco to rise and Catherine to panic, shouting Eddie! After this incident, Rodolfo asks Catherine to dance, to the song, Paper Doll, which he sang when he arrived in the flat. This shows us that Rodolfo is standing up to Eddie, as when he first sang the song, Eddie told him to stop, in case he got picked up. Instead, he decided to dance to it, which is a safer option and may make Eddie a little bit angry. Meanwhile, Eddie sits down in his chair, when Marco places a chair in front of him. He asks Eddie Can you lift this chair? to which Eddie replies, What do you mean? Marco shows Eddie to lift it from the back, using only one arm. Eddie tries twice, but fails. By now, everyone is watching as Marco lifts the chair higher and higher, until the chair is raised over his head. Marco then smiles, triumphantly, leaving Eddie to absorb his look, and making him look weak and inferior; perhaps a warning telling him not to overstep the mark. In the boxing scene, each character feels differently towards Eddie, whether it is they feel threatened by Eddie, by him causing them direct anger, or by him causing anger, indirectly and vice versa. An example of direct anger being when Rodolfo was hit by Eddie, causing him anger as a result of Eddies action towards him. An example of indirect anger was when Rodolfo was hit by Eddie, causing Catherine anger, but not directly from Eddie towards her.

Media Advertising - Societal Conformity and Advertisement of Cigarettes

Societal Conformity and Advertisement of PALL MALL Cigarettes Sloan Wilson did not publish The Man in the Gray Flannel Suit, a classic on 1950's middle-class conformity, until 1955. But, by July 1953, PALL MALL cigarette advertisers appear aware that "society seemed to reward those who lacked rough edges and eschewed eccentricity" (Blum 794). This conclusion seems justified by a TIME magazine advertisement. Here, these promoters apply this conformity principle and other advertising techniques to a specific socioeconomic group. They seek to lure the expanding male, middle-class audience by presenting indecorous fun, an enticing social situation, and smooth smoking delight all stemming from their product. The advertisement's rich red coloring immediately strikes a viewer with exciting and salacious overtones. The red lettering, border, cigarette package, and swimsuit all emphasize social and physical pleasure. The other colors' absence only strengthens the red coloring's implications. Prominent curving lines support the coloring's implied connection between enjoyment and the product. The foreground woman's curvaceous waist, chest, shoulders, hair, and cheeks give the scene a fun and lively feeling. Further in the background, the other women's similarly curved bodies also emphasize the cigarette's fun. Even the arching beach umbrellas portray such a feeling. Finally, the small boat's billowing sails, pushed by the wind, show excitement and pleasure, an appeal directly to the intended audience. Other aspects strengthen the advertisement design's sexual appeal. The foreground woman's strapless swimming suit, highlighted in red, is the most notable example. Her chest prominently resides above horizontal boxes in both th... ...by asserting, "PALL MALL gives you a smoothness, mildness and satisfaction no other cigarette offers you." Of course, the audience need not accept the text's promise of pleasure. They can easily see that PALL MALLs bring happiness. The picture clearly shows that all middle-class white males frolicking on beaches with beautiful women carry PALL MALL cigarettes. After all, the advertisement's fun and sexy appeal, its enticement to social enjoyment, and its portrayal of the brand's pleasures certainly imply that PALL MALLs bring social happiness. Then again, cigarette advertisers notoriously ignore tobacco's detrimental effects, but who has time to consider negatives when viewing such an appealing scene? WORKS CITED Blum, John, et al. The National Experience: A History of the United States. 5th ed. New York: Harcourt, Brace, Jovanovich, Incorporated, 1981.

An Exploratory Study of Myanmar Culture

Hofstede originally identified four dimensions of culture: power distance, individualism, masculinity, and uncertainty avoidance. Power distance represents the degree of a culture’s acceptance of inequality among its members. Individualism and collectivism represent a culture’s main focus, being either the importance of the individual or the group. Masculinity and femininity represents the stereotypical characteristics of men and women as being the dominant cultural values. Uncertainty avoidance is essentially a collective tolerance for ambiguity for a culture. Later research with Michael Bond (Hofstede & Bond 1988) added a fifth dimension called long-term Electronic copy available at: http://ssrn. com/abstract=1114625 orientation. This dimension, originally called Confucian Dynamism, measures the preferences of a culture for a long-term and traditional view of time. Hofstede’s work has attracted a number of critics. Some have expressed concerns about the generalizability of the sample, the level of analysis, the comparison of political boundaries (countries) to culture, and the validity of the instrument (Mc Sweeney 2002; Smith 2002). Others have challenged the assumption of the homogeneity of each studied culture (Sivakumar & Nakata 2001). The additional dimension of long-term orientation (LTO) has been challenged on the grounds of conceptual validity (Fang 2003). While many of the concerns raised by his critics can be considered to have some validity, Hofstede’s research, nevertheless, represents the most comprehensive analysis of cultural values to date. This paper provides a preliminary look into the cultural assessment of a country not included in the Hofstede data set. Myanmar is located in Southeast Asia, bordering Thailand, China, India, and Laos. The country, formerly called Burma, gained its independence from Britain at the end of World War II, after a hard fought struggle with the colonial power and the Japanese invaders. Burmese nationalist and national hero, Aung San fought for his country’s independence and for democratic rule (Khng 2000). His daughter, Nobel Peace Prize winner, Aung San Suu Kyi continues the struggle today inside Myanmar, even as she lives under house arrest. While Myanmar interacts with its ASEAN neighbors, a number of Western countries have placed economic sanctions on the country for its lack of democracy. These sanctions have limited foreign investment and other forms of economic exchange. A military junta has ruled the country for the past 17 years and the country has operated in various states of isolation from the world over those years. As a result of its isolation, very little research has been conducted on its culture or values orientation.

The Myth Of The American Gods - 1153 Words

Some may ask, what is a myth. To the common person, a myth is a work of â€Å"fiction†: an untrue story made obsolete by modern society. A myth is a story that cannot be taken literally. For the sake of making the definition clear, a myth is a story; it is a narrative; it is what helps people make sense of a complicated world through different perspectives and experiences. Sometimes, these stories have lessons that people can interpret from the events of them. Gaiman certainly has written a myth: the myth of the â€Å"American Gods.† He has used past myths, those from ancient civilizations, to create a world full of gods. He has created a myth about what America is within the narrative of those gods. He has even modeled how religion plays out in this mythological America. Gaiman’s narrative introduces a somewhat complex system of characters; he has created a world in which the gods (not omniscient-creator gods) live among the people and cohabitate with them. The common person cannot tell a god apart from them; they can sense something different about them, as Laura and Sam both sense something different about Shadow from them. Laura, after she dies, claims that â€Å"Shadow may not be dead, but he most certainly is not alive† (Pg#). This shows that the gods are not explicitly known to be living among mortals, but mortals can sense something strange about them. Gaiman also creates a â€Å"myth† about the popular gods who have taken the place of the modern gods. These include the gods of MediaShow MoreRelatedThe Myth Of The American Gods1256 Words   |  6 Pageswhat is a myth? To the common person, a myth is a work of â€Å"fiction†: an untrue story made obsolete by modern society. A myth is a story that cannot be taken literally. For the sake of making the definition clear, a myth is a story; it is a narrative; it is what helps people make sense of a complicated world through different perspectives and experiences. 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